The large scale drawings on the ripped paper will look better unframed because the framing will limit each piece. The sides if the frames will contain the work but I feel it will be too enclosed and ‘finished’ for my work. The torn paper creates an unfinished feeling but also reflects the emotions in the image itself and so by framing the work will diminish this. However, the problem with not framing the paper raises questions of how to exhibit the pieces. I don’t want to have large screws or forms of hanging showing because I feel it could disrupt the work. I have decided to hang it on white walls because I want the back drop to be neutral. The background does not have anything to do with the art and so white is a strong neutral shade to go with. The richness of the charcoal will also contrast with the white background and so the art will stand dominant on the wall.
The Cardiff National Museum held a photography exhibition which I visited in January to explore ways curators and artists exhibit work. Although photographs are very different to the way I work, it still helped to see how different types of art can be exhibited. The two separate rooms in the exhibition curated the work in different ways. In one exhibition the work was contained in small fitted frames which were screwed to the wall using small screws fixed behind each piece. The fixings were small and discrete and so they didn’t take any attention away from the art itself. However, in the other exhibition to photographs were unframed and pinned to the wall using circular flat screws. The unframed effect gave the work a more unfinished look and made the work look more to resemble propaganda and posters. The whole exhibition was unframed which worked however, I believe photographs should be framed or at least fixed to the wall in a neater, more organised manner. It was interesting to the different ways artists decided to display their photographs in their work depending on the concept. I feel with a more contemporary concept the work is displayed better unframed because it is not as though the work is vintage and necessarily needs to be preserved. By this, I need older more vintage photographs look better framed because it suits their time more. It was interesting to see the different ways the artists had curated their exhibition and wanted the audience to perceive their art.
Alison Lambert draws on paper and does not frame her work. It is unclear how exactly she exhibits her work but, there are no visible pins or screws so I think she has managed to find a way to secure the work from behind. I am inspired by this method because it means there is no attention taken away from the drawing its self. The almost ‘self hanging’ idea creates a sense that the work is simply there and is a presence in the exhibition. The lack of visible fixings gives the impression that the work can be easily moved and exhibited in a range of places.
When I have been creating my own work on torn paper I have found a way to hide the wall fixings by placing more paper on top of them. I feel the wall bindings could take away any focus from the work and also eliminates any need for the work to be framed in order to hang it from the wall. When I was looking into ways I could display my work, I did not exclude ideas such as hanging from the ceiling or simply fitting the paper to the wall using pins. The issues which I encounter when looking at this ideas included: I did not want to fix the art completely to the wall; rather I have to gently resting against it the wall. Hanging the work from the ceiling could have been either against the wall so the work is only resting across it or hanging in the middle of the space. By hanging the work, problems such as the paper ripping could arise and ultimately ruin the piece. Hanging the work in the middle of the space would be interesting because the audience would be able to walk around the art and it could be seen as a journey, depending of the pieces I decide to use in my exhibition. I have decided this way of hanging would not suit the concept within my art. In conclusion, this discussion has allowed me to think through the different methods of curating the work and with that, I have decided to fix the work to the wall with invisible fixings which are covered by more paper around the edges.
Alison Lambert, Portrait
Visiting a range of different exhibitions and shows to explore a wide range of ways to exhibit work has created a thought process for me and the way I want to present my work because the way it is curated affects mood and the sense of the work.